// Matches · classes · trade shows
Coverage from inside the sport.
Full-day match and training-class media shot by an active competitor — someone who knows what the RO expects, where to stand when the timer beeps, and how to get the shot without becoming part of the stage. Plus trade-show floors, SHOT Show included.
Matches & events
Start-to-finish match coverage at a published $1,000 per production day plus travel, editing pay-per-edit — photos and cuts your shooters, sponsors, and socials will actually use.
Training classes
Class packages from $2,500: up to two production days, 10–15 edited photos, 3–5 video edits, and one personalized advertisement for the instructor — the media kit that fills the next class.
Trade shows & SHOT
Booth loops, floor coverage, launch films, and the social cutdowns — planned backwards from the show date so everything comes from the same shoots. The crew travels nationwide for convention work.
FIELD 01/06 View all
// Stage runs, class media, and show-floor films
// Published pricing
What it costs
Match / event coverage$1,000/day + travel
Editing (pay-per-edit)$100/hr · 3 hr min
Training-class packagefrom $2,500
Additional shoot day$750
Drone coverage add-on+$250
24-hour rush delivery+$500
Full tables on the pricing page — no discovery call needed.
Michigan matches and classes are standard range; the calendar fills season-first — spring through fall for match season, autumn onward for the SHOT Show run-up.
// Field questions
Straight answers
What does match or class coverage cost?
Matches and events run $1,000 per production day plus travel, with editing billed pay-per-edit ($100/hr, 3-hour minimum). Training-class packages — up to two days, 10–15 edited photos, 3–5 video edits, and a personalized ad — start at $2,500.
Will a camera crew get in the way of the match?
No — coverage is shot by an active competitor who knows what the RO expects, where to stand when the timer beeps, and how to get the shot without ever becoming part of the stage.
Do you cover SHOT Show and other trade shows?
Yes — booth loops, floor coverage, launch films, and the social cutdowns, planned backwards from the show date so everything comes from the same shoots. ATex travels nationwide for convention work.